Big hands are a symbol of the creation of the main developer of the city. The author, sculptor Osipyan, allegorically conveys the main essence of Alexander Tamanyan's design method - to combine the heritage of Armenian architecture with modernity. His clothes follow the shapes of the Cascade with a trapeze. The monastic cassock is a symbol of the inseparable connection with the church architecture of Armenia in his projects. This place has become a favorite of both residents of Yerevan and guests of the city, and the image of the sculptor is a symbol of love for his offspring. Even more interesting stories about the city on our excursions "Yerevan at 15:15". In the photos : what was on the site of the Cascade before, the Cascade in our days, the Tamanyan monument.

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